Reverse Trend

While the design of the initially complex pattern Indian patang becomes increasingly simplified, the design of the wau takes on a different direction.

The traditional wau initially consisted of a few basic colors and has evolved to a multi-tissue colored tapestry of meticulously papercutted creeper motifs intricately embroidered in silver or gold. I suspect part of the reason is due to the increasing reverence of the wau for its esthetic value. Adhering to introduced motifs (i.e. wau merak from Johor Bahru can only have one of two motifs, the betel nut or pepper leaf creeper) is a requisite in design competitions, where the most intricately designed waus are brandished. Fortunately, function is not forgotten, and design competions also include the criteria of flight along with beauty.